Die Weserburg, Museum für moderne Kunst, 2008
●● Miriam Moch
What is staring at us through dark eye sockets in the work Le temps d’un portrait is a skull, which, however, paradoxically does not really exist. For the four sections that make up the portrait present different, pulsating skulls, as if they were not made of hard bone mass but are autonomously operating organisms that do not want to, or will never be able to, combine to form a uniform overall image. Yet this portrait is produced in our minds, a symbol of death and our own impermanence..
●● Miriam Moch
translation: Rebecca Van Dyck
Die Weserburg, Museum für moderne Kunst, 2008