One’s eyes only slowly adapt themselves to the darkness of the exhibition space, and so it is a while before the rhythmic fl aring up of the image of a mummifi ed skull becomes discernible on the wall. However, the image evades closer examination—not only because it only faintly fl ashes up in a diff use light and we perceive scarcely more than vague contours. Before we can take a better look at it, it has already disap- peared.
●● Miriam Moch
translation: Rebecca Van Dyck
●● Miriam Moch